overture; Scene (2010/2019)

for soprano, violin, cello and marimba (or alternative instrumentation), 1 minute

(adapted from Mikrolieder)

first performance: A Very Small Consortium, University of Wisconsin, USA, February 2020

hypoglossa (2017)

for solo voice with optional live electronics, or any number of voices performing in unison, 8 minutes

first performance: Elizabeth Hilliard, Music Current 2017, Smock Alley Theatre, Dublin, April 2017

 

Hölderlin-Fragment (2015)

for SSAATB choir, 6 minutes

setting of Da ich ein Knabe war by Friedrich Hölderlin

first performance:  The Pale Flame Consort cond. Angelika Stangl, York, 06/12/2016

Listen Here (SoundCloud)

 

DAWN/CASCADE (2014)

for voices and large ensemble, 18 minutes

          SSATB x2 / 1(a.fl).1.2(b.cl.).0 / 0.0.2.0 / 2perc.pf.cel.org.2hp / -

setting of La Cascade by Robert Desnos

first performance: The University of York Chamber Orchestra and Choir cond. John Stringer, Sir Jack Lyons Concert Hall, York, 25/06/2014

Listen Here (SoundCloud)

 

for soprano, clarinet, computer and tape (2012) 

4 minutes

Setting of Rhapsody on a Windy Night by T. S. Eliot

first performance: Ana Beard-Fernandez (soprano), Will Ozard (clarinet), Sir Jack Lyons Concert Hall, York, November 2012

 

Vers l'arbre-frère aux jours comptés (2012)

for high soprano and piano, 3 minutes

setting of René Char

first performance: Ana Beard-Fernandez (Soprano), Joe McGrail (Piano), Sir Jack Lyons Concert Hall, York, December 2012

 

J'ai tant rêvé de toi (2012)

for mezzo-soprano and piano, 3 minutes

setting of Robert Desnos

first performance: Lisa Coates (Mezzo), Mark Hutchinson (Piano), Sir Jack Lyons Concert Hall, York, June 2012

 

MIKROLIEDER (2010)

for soprano, violin, cello and harp, 3 minutes

setting of fragments by Rimma Dalos, Peter Bornemisza and Amy Károlyi

first performance: Chiasmus, The York Spring Festival of New Music, June 2010